Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 13
... experience . The fear of performing in front of a group of people is removed because in creative dramatics there is no audi- ence . Performance , experience , and the ability to either recreate or interpret that experience , is talent ...
... experience . The fear of performing in front of a group of people is removed because in creative dramatics there is no audi- ence . Performance , experience , and the ability to either recreate or interpret that experience , is talent ...
Page 14
... experience ; and the emotional outlet pro- vided by the experience . Martin Nolter ( 1973 ) offers support , based in his experience , for the use of creative dramatics tech- niques with the elderly . He writes : " Older persons should ...
... experience ; and the emotional outlet pro- vided by the experience . Martin Nolter ( 1973 ) offers support , based in his experience , for the use of creative dramatics tech- niques with the elderly . He writes : " Older persons should ...
Page 101
... experience . Recognizing individual gifts within the group helps to establish self - confidence and a certain ... experience is what makes creative drama with the elderly such a rewarding experience . If a senior adult is truly involved ...
... experience . Recognizing individual gifts within the group helps to establish self - confidence and a certain ... experience is what makes creative drama with the elderly such a rewarding experience . If a senior adult is truly involved ...
Contents
INTRODUCTION | 1 |
PART | 14 |
THEORETICAL AND CONCEPTUAL OVERVIEW | 20 |
Copyright | |
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activity theory aesthetic environment Applied Theatre Programs APPLIED THEATRE TECHNIQUE assessment audience become canal boats Character Lifespan child communication control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly participants Emma EMMA'S emotion experience experimental Ezra Jack Keats Family members feel five project sites five sites focus Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired impaired participant improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata MAID Millie mirror exercises mother NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre physical play Players are instructed PRESIDENT production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults share society Sound of Peter space stage story Storybook Theatre storyteller tables Talking Book Series visual arts visually impaired Wendy Kesselman York