Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 190
Rabelais gives a dynamic picture of the marketplace with its social elements
represented by their characteristic jurons . When young Gargantua arrives in
Paris and , wearied by the crowd ' s curiosity , drenches it in urine , Rabelais does
not ...
Rabelais gives a dynamic picture of the marketplace with its social elements
represented by their characteristic jurons . When young Gargantua arrives in
Paris and , wearied by the crowd ' s curiosity , drenches it in urine , Rabelais does
not ...
Page 235
trophe are represented as a carnival with its masquerades and disorderly
conduct . The genre of travestied prophecies are essentially related to time , to
the new year , to the guessing of riddles , to marriage , birth , and procreative
force .
trophe are represented as a carnival with its masquerades and disorderly
conduct . The genre of travestied prophecies are essentially related to time , to
the new year , to the guessing of riddles , to marriage , birth , and procreative
force .
Page 348
The backdrop was formed by an elevated set which represented heaven or
paradise . 11 Beneath the platform representing the earth there was a large
opening , indicating hell , covered by a broad curtain decorated with a huge mask
of the ...
The backdrop was formed by an elevated set which represented heaven or
paradise . 11 Beneath the platform representing the earth there was a large
opening , indicating hell , covered by a broad curtain decorated with a huge mask
of the ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
LibraryThing Review
User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
THREE PopularFestive Forms and Images in Rabelais | 196 |
Copyright | |
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole
References to this book
Bibliographic information
| Title | Rabelais and His World A Midland book ; MB 341 Volume 341 of Midland books |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Mikhail Mikha?ilovich Bakhtin |
| Translated by | Hélène Iswolsky |
| Contributor | Michael Holquist |
| Edition | reprint |
| Publisher | Indiana University Press, 1984 |
| Original from | the University of Michigan |
| Digitized | 28 Jun 2008 |
| ISBN | 0253348307, 9780253348302 |
| Length | 484 pages |
| Subjects | › › Literary Criticism / European / French Literary Criticism / Medieval |
| Export Citation | BiBTeX EndNote RefMan |