Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 18
Images of the body are offered , moreover , in an extremely exaggerated form .
Rabelais was proclaimed by Victor Hugo the greatest poet of the “ flesh ” and “
belly , " while others accused him of " gross physiologism , ” of “ biologism , " or ...
Images of the body are offered , moreover , in an extremely exaggerated form .
Rabelais was proclaimed by Victor Hugo the greatest poet of the “ flesh ” and “
belly , " while others accused him of " gross physiologism , ” of “ biologism , " or ...
Page 158
This description was published in Paris and Lyon under the title of “ The
Sciamachy and Festival Offered in Rome in the Palace of His Eminence
Monsignor du Bellay . ” In the first part of this festival , performed in a piazza , a
battle was fought ...
This description was published in Paris and Lyon under the title of “ The
Sciamachy and Festival Offered in Rome in the Palace of His Eminence
Monsignor du Bellay . ” In the first part of this festival , performed in a piazza , a
battle was fought ...
Page 183
Their influence is found in certain of the epithets in the novel that reveal a
culinary origin and are borrowed from the vocabulary praising the foods and
wines offered for sale . Under Rabelais ' pen the names of dishes , venison ,
vegetables ...
Their influence is found in certain of the epithets in the novel that reveal a
culinary origin and are borrowed from the vocabulary praising the foods and
wines offered for sale . Under Rabelais ' pen the names of dishes , venison ,
vegetables ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
THREE PopularFestive Forms and Images in Rabelais | 196 |
Copyright | |
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole
References to this book
Bibliographic information
| Title | Rabelais and His World A Midland book ; MB 341 Volume 341 of Midland books |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Mikhail Mikha?ilovich Bakhtin |
| Translated by | Hélène Iswolsky |
| Contributor | Michael Holquist |
| Edition | reprint |
| Publisher | Indiana University Press, 1984 |
| Original from | the University of Michigan |
| Digitized | 28 Jun 2008 |
| ISBN | 0253348307, 9780253348302 |
| Length | 484 pages |
| Subjects | › › Literary Criticism / European / French Literary Criticism / Medieval |
| Export Citation | BiBTeX EndNote RefMan |