Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 32
There was no longer the movement of finished forms , vegetable or animal , in a
finished and stable world ; instead the ... movement of being itself was expressed
in the passing of one form into the other , in the ever incompleted character of ...
There was no longer the movement of finished forms , vegetable or animal , in a
finished and stable world ; instead the ... movement of being itself was expressed
in the passing of one form into the other , in the ever incompleted character of ...
Page 46
The first line is the modernist form ( Alfred Jarry ) , connected in various degrees
with the Romantic tradition and evolved ... It is related to the tradition of realism
and folk culture and reflects at times the direct influence of carnival forms , as in
the ...
The first line is the modernist form ( Alfred Jarry ) , connected in various degrees
with the Romantic tradition and evolved ... It is related to the tradition of realism
and folk culture and reflects at times the direct influence of carnival forms , as in
the ...
Page 244
Thus , the basic theme of the Third Book is closely connected with time and with
popular - festive forms : uncrowning ( cuckoldry ) , thrashing , and mockery .
Fortune - telling concerning the future bride and cuckoldry is linked with the
theme of ...
Thus , the basic theme of the Third Book is closely connected with time and with
popular - festive forms : uncrowning ( cuckoldry ) , thrashing , and mockery .
Fortune - telling concerning the future bride and cuckoldry is linked with the
theme of ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
LibraryThing Review
User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
THREE PopularFestive Forms and Images in Rabelais | 196 |
Copyright | |
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole