Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 47
What are , according to Kayser , the basic characteristics of grotesque imagery ?
Kayser ' s definitions first of all strike us by the gloomy , terrifying tone of the
grotesque world that alone the author sees . In reality gloom is completely ...
What are , according to Kayser , the basic characteristics of grotesque imagery ?
Kayser ' s definitions first of all strike us by the gloomy , terrifying tone of the
grotesque world that alone the author sees . In reality gloom is completely ...
Page 51
In the ages that followed , especially in the nineteenth century , the public at large
almost completely forgot the principle of laughter presented in macabre images .
They were interpreted in an unrelieved , serious aspect and became flat and ...
In the ages that followed , especially in the nineteenth century , the public at large
almost completely forgot the principle of laughter presented in macabre images .
They were interpreted in an unrelieved , serious aspect and became flat and ...
Page 322
... and the child is strictly individualized and closed , the line of demarcation
cannot be removed . This is a completely new phase of the artistic conception of
bodily interaction . Finally , the new canon is completely alien to hyperbolization .
... and the child is strictly individualized and closed , the line of demarcation
cannot be removed . This is a completely new phase of the artistic conception of
bodily interaction . Finally , the new canon is completely alien to hyperbolization .
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
THREE PopularFestive Forms and Images in Rabelais | 196 |
Copyright | |
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Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole