Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 21
Such is the meaning of " upward ” and “ downward ” in their cosmic aspect , while
in their purely bodily aspect , which is not clearly distinct from the cosmic , the
upper part is the face or the head and the lower part is the genital organs , the
belly ...
Such is the meaning of " upward ” and “ downward ” in their cosmic aspect , while
in their purely bodily aspect , which is not clearly distinct from the cosmic , the
upper part is the face or the head and the lower part is the genital organs , the
belly ...
Page 23
Such is the first , carnival aspect of the material bodily images of Don Quixote .
But it is precisely this aspect which creates the grand style of Cervantes ' realism ,
his universal nature , and his deep popular utopianism . A second aspect ...
Such is the first , carnival aspect of the material bodily images of Don Quixote .
But it is precisely this aspect which creates the grand style of Cervantes ' realism ,
his universal nature , and his deep popular utopianism . A second aspect ...
Page 108
He considers the combination of the two aspects in a single novel by a single
author as " incomprehensible . ” One of ... Moreover , in this negative aspect of his
work , Rabelais " excels by far the worst ” ( il passe bien loin au delà du pire ) .
He considers the combination of the two aspects in a single novel by a single
author as " incomprehensible . ” One of ... Moreover , in this negative aspect of his
work , Rabelais " excels by far the worst ” ( il passe bien loin au delà du pire ) .
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
THREE PopularFestive Forms and Images in Rabelais | 196 |
Copyright | |
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole