Bulletin, Issues 32-33The Museum, 1960 - China |
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Page 113
Östasiatiska museet. TONES IN ARCHAIC CHINESE BY BERNHARD KARLGREN The question whether Archaic Chinese possessed tones ( musical accents ) and , if it did , how many tone - classes can be distinguished in that language has been a ...
Östasiatiska museet. TONES IN ARCHAIC CHINESE BY BERNHARD KARLGREN The question whether Archaic Chinese possessed tones ( musical accents ) and , if it did , how many tone - classes can be distinguished in that language has been a ...
Page 114
... tones should themselves illustrate these tones . For this reason they chose for the 3rd tone the word k'ü “ go away " , which itself belongs to the 3rd tone- class . The modern descendant of the Anc . k'ü - sheng is a falling tone in ...
... tones should themselves illustrate these tones . For this reason they chose for the 3rd tone the word k'ü “ go away " , which itself belongs to the 3rd tone- class . The modern descendant of the Anc . k'ü - sheng is a falling tone in ...
Page 133
... tone class ( " s han g " ) and of a 3rd tone class ( “ k'ü ” ) , and , when there are rime sets with mixed tones ( not very frequent ) , it is mostly a mixing of 1st : 2nd or 1st : 3rd and but rarely of 2nd : 3rd . - The main results of ...
... tone class ( " s han g " ) and of a 3rd tone class ( “ k'ü ” ) , and , when there are rime sets with mixed tones ( not very frequent ) , it is mostly a mixing of 1st : 2nd or 1st : 3rd and but rarely of 2nd : 3rd . - The main results of ...
Contents
Marginalia on some Bronze Albums II | 1 |
Some Notes on Liao Ceramics | 25 |
South Chinese Influence on the Buddhist Art of the Six | 47 |
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