Cuba and Its Music: From the First Drums to the Mambo, Volume 1

Front Cover
Chicago Review Press, 2004 - History - 672 pages
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Vald s, Arsenio Rodr guez, Benny Mor , and P rez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making a case for Cuba as fundamental to the evolution of music in the New World. Revealed are how the music of black slaves transformed 16th-century Europe, how the claves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues. Music lovers will follow this journey from Andaluc a, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santer a, Palo, Abaku , Vod , and much more.
 

Contents

Part II Colonial Cuba
59
Part III AfroCuba
157
Part IV Insurgent Cuba
233
Part V The Plattist Republic
285
Part VI Batista in Power
417
Part VII The Auténtico Years
501
Coda
585
Suggested Listening
587
Notes
590
Bibliography
615
Acknowledgments
645
Index
648
Copyright

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About the author (2004)

Ned Sublette is the co-founder of the Qbadisc record label. He has co-produced the public radio program 'Afropop Worldwide' for seven years and travelled frequently to Cuba since 1990. He lives in New York City.