Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 343
... use but temples , : triumphal arches , and other buildings intended chiefly or folely for show , may be highly orna ... use , fuch as ftatues in niches , vafes , baffo or alto relievo : next , things in themselves not beautiful , but ...
... use but temples , : triumphal arches , and other buildings intended chiefly or folely for show , may be highly orna ... use , fuch as ftatues in niches , vafes , baffo or alto relievo : next , things in themselves not beautiful , but ...
Page 391
... use , as legs , arms , eyes , windows , spoons , we expect uniformity . Proportion ought to govern parts intended for different uses . We require a certain proportion betwixt a leg and an arm ; in the base , the shaft , the capital , of ...
... use , as legs , arms , eyes , windows , spoons , we expect uniformity . Proportion ought to govern parts intended for different uses . We require a certain proportion betwixt a leg and an arm ; in the base , the shaft , the capital , of ...
Page
... use of abstract terms iii . 405 . Accent ) defined ii . 361. The musical accents that are necessary in an hexameter line ii . 376. A low word must not be accented ii . 405 . centing English heroic verfe ii . 415 . fected by the pause ii ...
... use of abstract terms iii . 405 . Accent ) defined ii . 361. The musical accents that are necessary in an hexameter line ii . 376. A low word must not be accented ii . 405 . centing English heroic verfe ii . 415 . fected by the pause ii ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears architecture arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered courſe defined deſcription diftinguiſhed diſagreeable effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fect fenfe fenfible fenſe fhall fignify figure fimile firſt fize fome fpeech ftill fubject fuch garden grandeur hath Henry VI himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principle proper proportion purpoſe raiſed reaſon regularity repreſentation repreſented reſemblance reſpect Richard II rule ſcarce ſcene ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thefe theſe thing thoſe thou tion tragedy uſe words