Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 100
... we discover that a brink is termed giddy from producing that effect in those who ftand on it . In the fame manner a wound is faid to be daring , not not with respect to itself , but with respect to 100 Ch . XX . FIGURES . SECT. V. ...
... we discover that a brink is termed giddy from producing that effect in those who ftand on it . In the fame manner a wound is faid to be daring , not not with respect to itself , but with respect to 100 Ch . XX . FIGURES . SECT. V. ...
Page 101
Lord Henry Home Kames. not with respect to itself , but with respect to the boldness of the perfon who inflicts it : and wine is faid to be jovial , as inspiring mirth and jollity . Thus the attributes of one fubject , are extended to ...
Lord Henry Home Kames. not with respect to itself , but with respect to the boldness of the perfon who inflicts it : and wine is faid to be jovial , as inspiring mirth and jollity . Thus the attributes of one fubject , are extended to ...
Page 362
... respect to morals in particular , unhappy it would be for mankind did not this unifor- mity prevail it is neceffary that the ac- tions of all men be uniform with respect to right and wrong ; and in order to uniformi- ty of action , it ...
... respect to morals in particular , unhappy it would be for mankind did not this unifor- mity prevail it is neceffary that the ac- tions of all men be uniform with respect to right and wrong ; and in order to uniformi- ty of action , it ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears architecture arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered courſe defined deſcription diftinguiſhed diſagreeable effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fect fenfe fenfible fenſe fhall fignify figure fimile firſt fize fome fpeech ftill fubject fuch garden grandeur hath Henry VI himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principle proper proportion purpoſe raiſed reaſon regularity repreſentation repreſented reſemblance reſpect Richard II rule ſcarce ſcene ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thefe theſe thing thoſe thou tion tragedy uſe words