Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 107
... present is not applicable to the subject , however applicable it may be afterward . Submerfafque obrue puppes . Æneid . i . 73 . And mighty ruins fall . Iliad v . 411 . Impious fons their mangled fathers wound . Another rule regards ...
... present is not applicable to the subject , however applicable it may be afterward . Submerfafque obrue puppes . Æneid . i . 73 . And mighty ruins fall . Iliad v . 411 . Impious fons their mangled fathers wound . Another rule regards ...
Page 283
... present as to time and place , befide admit- we enjoy at would have more than one happy effect : it would re- cruit the fpirits ; and it would preferve en- tire , the tone , if not the tide , of paffion . The mufic that comes firft ...
... present as to time and place , befide admit- we enjoy at would have more than one happy effect : it would re- cruit the fpirits ; and it would preferve en- tire , the tone , if not the tide , of paffion . The mufic that comes firft ...
Page 335
... present point , I shall add a few examples of the agreeableness of dif- ferent proportions . In a fumptuous edifice , the capital rooms ought to be large , for o- therwise they will not be proportioned to the fize of the building . On ...
... present point , I shall add a few examples of the agreeableness of dif- ferent proportions . In a fumptuous edifice , the capital rooms ought to be large , for o- therwise they will not be proportioned to the fize of the building . On ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears architecture arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered courſe defined deſcription diftinguiſhed diſagreeable effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fect fenfe fenfible fenſe fhall fignify figure fimile firſt fize fome fpeech ftill fubject fuch garden grandeur hath Henry VI himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principle proper proportion purpoſe raiſed reaſon regularity repreſentation repreſented reſemblance reſpect Richard II rule ſcarce ſcene ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thefe theſe thing thoſe thou tion tragedy uſe words