Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 343
... ornament but what has the appearance , at leaft , of use but temples , : triumphal arches , and other buildings intended chiefly or folely for show , may be highly orna- mented . This fuggefts a divifion of ornaments in- to three kinds ...
... ornament but what has the appearance , at leaft , of use but temples , : triumphal arches , and other buildings intended chiefly or folely for show , may be highly orna- mented . This fuggefts a divifion of ornaments in- to three kinds ...
Page 344
... ornaments in general , we descend to a pillar , the chief ornament in great buildings . The destination of a pillar is to support , really or in appearance , another part termed the architrave . With respect to the form of this ornament ...
... ornaments in general , we descend to a pillar , the chief ornament in great buildings . The destination of a pillar is to support , really or in appearance , another part termed the architrave . With respect to the form of this ornament ...
Page
... ornament ii . 9 . What emotions can be raised by architecture iii . 297. Its emotions compared with thofe of gar ... ornaments employed by it iii . 342. Allegorical or emblematic ornaments iii . 347. Architecture infpires a tafte for ...
... ornament ii . 9 . What emotions can be raised by architecture iii . 297. Its emotions compared with thofe of gar ... ornaments employed by it iii . 342. Allegorical or emblematic ornaments iii . 347. Architecture infpires a tafte for ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears architecture arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered courſe defined deſcription diftinguiſhed diſagreeable effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fect fenfe fenfible fenſe fhall fignify figure fimile firſt fize fome fpeech ftill fubject fuch garden grandeur hath Henry VI himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principle proper proportion purpoſe raiſed reaſon regularity repreſentation repreſented reſemblance reſpect Richard II rule ſcarce ſcene ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thefe theſe thing thoſe thou tion tragedy uſe words