Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 16
... never lion rag'd more fierce ; In peace , was never gentle lamb more mild ; Than was that young and princely gentleman , His face thou haft ; for even fo look'd he , Accomplish'd with the number of thy hours . But when he frown'd , it ...
... never lion rag'd more fierce ; In peace , was never gentle lamb more mild ; Than was that young and princely gentleman , His face thou haft ; for even fo look'd he , Accomplish'd with the number of thy hours . But when he frown'd , it ...
Page 94
... never fuit the tone of any difpiriting pallon . Sorrow in particular will never prompt such a figure ; and for that reason the following hyperboles must be condemned as unnatu- ral . K. Rich . K. Rich . Aumerle , thou weep'ft , my ...
... never fuit the tone of any difpiriting pallon . Sorrow in particular will never prompt such a figure ; and for that reason the following hyperboles must be condemned as unnatu- ral . K. Rich . K. Rich . Aumerle , thou weep'ft , my ...
Page 326
... never will give over attempting to re- concile these two incompatibles . How elfe should it be accounted for , that of the end- lefs variety of private dwelling - houses , there is not one to be found , that is generally a- greed upon ...
... never will give over attempting to re- concile these two incompatibles . How elfe should it be accounted for , that of the end- lefs variety of private dwelling - houses , there is not one to be found , that is generally a- greed upon ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears architecture arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered courſe defined deſcription diftinguiſhed diſagreeable effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fect fenfe fenfible fenſe fhall fignify figure fimile firſt fize fome fpeech ftill fubject fuch garden grandeur hath Henry VI himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principle proper proportion purpoſe raiſed reaſon regularity repreſentation repreſented reſemblance reſpect Richard II rule ſcarce ſcene ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thefe theſe thing thoſe thou tion tragedy uſe words