Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
From inside the book
Results 1-3 of 75
Page 32
... must I stay , and here my life must end . Third part Henry VI . a & t 1. sc.6 , Far less is a man difpofed to fimiles who is not only defeated in a pitch'd battle , but lies at the point of death mortally wounded . Warwick . My mangled ...
... must I stay , and here my life must end . Third part Henry VI . a & t 1. sc.6 , Far less is a man difpofed to fimiles who is not only defeated in a pitch'd battle , but lies at the point of death mortally wounded . Warwick . My mangled ...
Page 336
... must con- fefs , that the proportion of height and thick- nefs varies betwixt 8 diameters and 10 , and that every proportion betwixt these two ex- tremes is agreeable . But this is not all . There must certainly be a further variation ...
... must con- fefs , that the proportion of height and thick- nefs varies betwixt 8 diameters and 10 , and that every proportion betwixt these two ex- tremes is agreeable . But this is not all . There must certainly be a further variation ...
Page 369
... must then be confined to the few that fall not under these exceptions . But as fuch felection feems to throw matters again into uncertainty , we must be more explicit up- on this branch of our fubject . 3 A VOL . III . Nothing Nothing ...
... must then be confined to the few that fall not under these exceptions . But as fuch felection feems to throw matters again into uncertainty , we must be more explicit up- on this branch of our fubject . 3 A VOL . III . Nothing Nothing ...
Other editions - View all
Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears architecture arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered courſe defined deſcription diftinguiſhed diſagreeable effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fect fenfe fenfible fenſe fhall fignify figure fimile firſt fize fome fpeech ftill fubject fuch garden grandeur hath Henry VI himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principle proper proportion purpoſe raiſed reaſon regularity repreſentation repreſented reſemblance reſpect Richard II rule ſcarce ſcene ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thefe theſe thing thoſe thou tion tragedy uſe words