Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 16
... hand had won , His hands were guilty of no kindred's blood , But bloody with the enemies of his kin . Oh , Richard ! York is too far gone with grief , Or else he never would compare between . Richard II . at 2. ft . 3 . Milton has a ...
... hand had won , His hands were guilty of no kindred's blood , But bloody with the enemies of his kin . Oh , Richard ! York is too far gone with grief , Or else he never would compare between . Richard II . at 2. ft . 3 . Milton has a ...
Page 78
... hand cut off in battle : Te decifa fuum , Laride , dextera quærit : Semianimefque micant digiti ; ferrumque retrac tant , Eneid . x . 395 . The The perfonification here of a hand is in- fufferable , 78 Ch . XX . FIGURES .
... hand cut off in battle : Te decifa fuum , Laride , dextera quærit : Semianimefque micant digiti ; ferrumque retrac tant , Eneid . x . 395 . The The perfonification here of a hand is in- fufferable , 78 Ch . XX . FIGURES .
Page 96
... hand to hand , He did confound the best part of an hour In changing hardiment with great Glendower . Three times they breath'd , and three times did they drink , Upon Upon agreement , of fwift Severn's flood ; Who then 96 Ch.XX. FIGURES .
... hand to hand , He did confound the best part of an hour In changing hardiment with great Glendower . Three times they breath'd , and three times did they drink , Upon Upon agreement , of fwift Severn's flood ; Who then 96 Ch.XX. FIGURES .
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action agreeable animal appears architecture arts beauty becauſe begin betwixt building cauſe cenfured chap circumſtances common compared compariſon confidered connected defined deſcription effect elevated emotions Eneid epic equally event example expreffed expreffion external fame feel fenfe fhall fight figure fimile firſt fome fuch garden give grandeur greater hand hath Henry human idea Iliad imagination imitation impreffion individuals introduced kind King language lefs light lively manner means metaphor mind moral moſt muſt nature never objects ornament paffion particular perception perfection perfon play pleaſure poem poet principle produce proper proportion qualities raiſed reader reaſon regularity relation reſemblance reſpect rule ſcene ſenſe ſtandard ſubject tafte taſte termed theſe thing thoſe thou thought tion tragedy trees uniformity unity uſe variety whole writer