Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
From inside the book
Results 1-3 of 40
Page 70
... such expreffions have naturally upon the mind . In the expression angry ocean , for example , do we ' not ta- citly compare the ocean in a storm , to a man in wrath ? It is by this tacit compa- rison , that the expression acquires a ...
... such expreffions have naturally upon the mind . In the expression angry ocean , for example , do we ' not ta- citly compare the ocean in a storm , to a man in wrath ? It is by this tacit compa- rison , that the expression acquires a ...
Page 302
... such a manner as to infpire all the different emo- tions that can be raised by gardening . In this idea of a garden , the arrangement is an important circumftance ; for it has been fhown , that some emotions figure beft in conjunction ...
... such a manner as to infpire all the different emo- tions that can be raised by gardening . In this idea of a garden , the arrangement is an important circumftance ; for it has been fhown , that some emotions figure beft in conjunction ...
Page 303
... such as gaiety and sweetness , stillness and gloominess , motion and gran- deur , ought to be raised together ; for their effects upon the mind are greatly heightened by their conjunction + . Kent's method of embellishing a field , is ...
... such as gaiety and sweetness , stillness and gloominess , motion and gran- deur , ought to be raised together ; for their effects upon the mind are greatly heightened by their conjunction + . Kent's method of embellishing a field , is ...
Other editions - View all
Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears architecture arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered courſe defined deſcription diftinguiſhed diſagreeable effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fect fenfe fenfible fenſe fhall fignify figure fimile firſt fize fome fpeech ftill fubject fuch garden grandeur hath Henry VI himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principle proper proportion purpoſe raiſed reaſon regularity repreſentation repreſented reſemblance reſpect Richard II rule ſcarce ſcene ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thefe theſe thing thoſe thou tion tragedy uſe words