The Sound of Light: A History of Gospel and Christian MusicThe Sound of Light is a sweeping overview of the history of gospel music. Powerful and incisive, it traces contemporary Christianity and Christian music to the 16th century and the Protestant Reformation after examining music in the Bible and early church music. From the psalms of the early Puritans through the hymns of human composure of Isaac Watts and the social activism of the Wesleys, gospel music was established in 18th century America. With the camp meeting songs of the Kentucky Revival, the spirituals that came from the slave culture, and the hymns from the great revival after the Civil War, gospel music advanced through the 19th century. The 20th century brought recording technology and electronic media to the table. Gospel music has developed with Christian revivals and the history of American gospel music is the history of Christianity in America. Gospel music reflects the American spirit of freedom and the free market as a Christian culture emerges in the 20th century, providing a spiritual as well as economic foundation. The Sound of Light presents gospel music as part of the history of contemporary Christianity. It is a work broad in scope that defines a music essential to understanding American culture as well as American music in the 20th century. Don Cusic is the author of ten books, including the biography Eddy Arnold: I'll Hold You in My Heart and an encyclopedia of cowboys, Cowboys and the Wild West: An A-Z Guide from the Chisholm Trail to the Silver Screen. He joined the faculty at Middle Tennessee State University in 1982, teaching courses in the music business. He earned a Masters and Doctorate in Literature from MTSU. Since August of 1994, Cusic has been Professor of Music Business at Belmont University. |
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Contents
A Mighty Fortress | 23 |
The Great Revival | 103 |
Southern Gospel After World War II | 187 |
This | 198 |
Black Gospel After World War II | 205 |
The I950s and Elvis Presley 2I7 Chapter 23 Black Gospel and Civil Rights Fanny Lou Hamer | 229 |
The I960s Peace Love and Music | 237 |
Gospel Music in the I960s | 243 |
Contemporary Christian Music The Reagan Revolution | 327 |
CCM Comes Age to Age | 337 |
Contempoary Christian Music I984 | 345 |
The Christian Culture in I985 | 353 |
Marketing the Movement The Recording Labels | 365 |
Christian and Gospel Music in the 1990s | 377 |
Conclusion | 387 |
NOTES | 397 |
Southern Gospel in the I960s and I970s | 251 |
The Catholics | 269 |
PART | 270 |
Contemporary Christian Music The Early Years | 279 |
Contemporary Christian Music Part Two | 293 |
Black Gospel and James Cleveland 30I Chapter 31 Televangelists and Jimmy Swaggart | 307 |
Dove Awards | 407 |
Gospel Grammy Awards | 443 |
455 | |
476 | |
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Common terms and phrases
American appeared artists audience Awards became become began beginning believers Best Bill black gospel Blackwood blues born Brothers called Calvin century Chapter Charles Chicago choir Christ church Cleveland composed concerts contemporary culture developed early England established faith formed Gaither give Gospel Album gospel music heard heaven Holiness hymns included industry influence Inspirational James Jesus John joined Label later lead live Lord Luther major Michael million moved movement never notes organization original percent Performance played popular Praise preaching Producer psalms published Quartet radio received Recorded Recorded Song religion religious revivals rock sang Sankey secular sell singers singing songs soon Soul sound Southern gospel spiritual stations success Sunday tradition tunes United Vaughan wanted Watts written York young
References to this book
When the Church Becomes Your Party: Contemporary Gospel Music, Page 65 Deborah Smith Pollard No preview available - 2008 |
When the Church Becomes Your Party: Contemporary Gospel Music, Page 65 Deborah Smith Pollard No preview available - 2008 |