Wordsworth and the Poetry of Encounter |
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Page 53
... voice , a voice which is all that a poem gives about a central object in it . No body is ever seen in the poem , though it may be mentioned ; there is only the sound of the voice . The voice need not be singing , although in most ...
... voice , a voice which is all that a poem gives about a central object in it . No body is ever seen in the poem , though it may be mentioned ; there is only the sound of the voice . The voice need not be singing , although in most ...
Page 54
... voice emerged . The wren , alone and invisible , changes through its voice what could have been rather ordinary gloom into a condition where the observer feels that the voice makes possible for him a kind of home . Through the voice the ...
... voice emerged . The wren , alone and invisible , changes through its voice what could have been rather ordinary gloom into a condition where the observer feels that the voice makes possible for him a kind of home . Through the voice the ...
Page 60
... voice of Wordsworth's wren sings joyfully to him out of a context which he wants to partake of fully but without ever ceasing to be himself . If the voice of the wren comes to him out of no visible body , there is still no indication ...
... voice of Wordsworth's wren sings joyfully to him out of a context which he wants to partake of fully but without ever ceasing to be himself . If the voice of the wren comes to him out of no visible body , there is still no indication ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |