Wordsworth and the Poetry of Encounter |
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Page 20
... shows the impulse on a larger scale and shows how it came about that communion was necessary at all . Like Milton , Blake , and Byron , Wordsworth writes of the resolute ambiguities of innocence and experience . The Pre- lude is ...
... shows the impulse on a larger scale and shows how it came about that communion was necessary at all . Like Milton , Blake , and Byron , Wordsworth writes of the resolute ambiguities of innocence and experience . The Pre- lude is ...
Page 22
... show no such awareness , unquestionably because they are dramati- cally earlier than his epic descent . Both ... shows is what Wordsworth feared most from the time of his early disillusion . His need for meaningful encounter and ...
... show no such awareness , unquestionably because they are dramati- cally earlier than his epic descent . Both ... shows is what Wordsworth feared most from the time of his early disillusion . His need for meaningful encounter and ...
Page 102
... shows patterns that illustrate a prevalent formal ( and therefore epistemological ) mode for Wordsworth , what it has no opening to show , no means of impelling into being , was available to him through the " appropriate human centre ...
... shows patterns that illustrate a prevalent formal ( and therefore epistemological ) mode for Wordsworth , what it has no opening to show , no means of impelling into being , was available to him through the " appropriate human centre ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |