Wordsworth and the Poetry of Encounter |
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Page 29
Frederick Garber. its place on the great chain , the object is as idiosyncratic as the observer who stares at it . And if he does not always project into the object his glory in his own discrete individuality ( of course he does so at ...
Frederick Garber. its place on the great chain , the object is as idiosyncratic as the observer who stares at it . And if he does not always project into the object his glory in his own discrete individuality ( of course he does so at ...
Page 37
... object lends to the situation by making the situ- ation cohere around it . But the truths of things are not the same ... object as they appear in the poem , is not even all of the truth of the object in encounter , but it has to be known ...
... object lends to the situation by making the situ- ation cohere around it . But the truths of things are not the same ... object as they appear in the poem , is not even all of the truth of the object in encounter , but it has to be known ...
Page 91
... object which could affect him unforcedly ( the situation in " Incipient Madness " is very like a rape ) , the memory of that object could stand as reminder and guarantee of what had been a wholeness of rela- tionship . We remember that ...
... object which could affect him unforcedly ( the situation in " Incipient Madness " is very like a rape ) , the memory of that object could stand as reminder and guarantee of what had been a wholeness of rela- tionship . We remember that ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |