Wordsworth and the Poetry of Encounter |
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Page 62
... mode , with good reasons for doing so . And in those reasons lies the essential difference between his " no bird " and Shelley's " bird thou never wert . " Behind Words- worth's choice in " To the Cuckoo " stands the impulse to recap ...
... mode , with good reasons for doing so . And in those reasons lies the essential difference between his " no bird " and Shelley's " bird thou never wert . " Behind Words- worth's choice in " To the Cuckoo " stands the impulse to recap ...
Page 63
... mode back , that there is no un- bridgeable gap between himself and what he was , and that there is indeed a unity of being to be discovered in his experience . He becomes , in other words , more fully himself for recapturing the mode ...
... mode back , that there is no un- bridgeable gap between himself and what he was , and that there is indeed a unity of being to be discovered in his experience . He becomes , in other words , more fully himself for recapturing the mode ...
Page 99
... mode is on human response to the human , universal man re- sponding through sympathy and identification to the pained world of other men . In its way it is an eighteenth - century sentimentalist parody of Aristotelian catharsis . Its ...
... mode is on human response to the human , universal man re- sponding through sympathy and identification to the pained world of other men . In its way it is an eighteenth - century sentimentalist parody of Aristotelian catharsis . Its ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |