Wordsworth and the Poetry of Encounter |
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Page 32
... meeting manifested in the poem . The qualities exist as part of the activity and take their substance and meaning from it . A description of the object , then , has to be approached through a devotion to the reality of the encounter and ...
... meeting manifested in the poem . The qualities exist as part of the activity and take their substance and meaning from it . A description of the object , then , has to be approached through a devotion to the reality of the encounter and ...
Page 84
... meeting so complicated that the movements to and fro are difficult to dis- entangle , partly because they are usually simultaneous . Those movements occur along a dimension containing the observer and the object and bordered by them ...
... meeting so complicated that the movements to and fro are difficult to dis- entangle , partly because they are usually simultaneous . Those movements occur along a dimension containing the observer and the object and bordered by them ...
Page 168
... meeting the total context of each object manages to touch , at every available point ( which means all points immediately there ) , the context of all the others . The creatures are , after all , impinging on each other's context while ...
... meeting the total context of each object manages to touch , at every available point ( which means all points immediately there ) , the context of all the others . The creatures are , after all , impinging on each other's context while ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |