Wordsworth and the Poetry of Encounter |
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Page 4
... intensity , toward the center of the observer's vision . Concurrent with this move- ment is another , set going by a different group of words joined alliteratively not only with each other but also with the first group - singing , sings ...
... intensity , toward the center of the observer's vision . Concurrent with this move- ment is another , set going by a different group of words joined alliteratively not only with each other but also with the first group - singing , sings ...
Page 8
... intensity , to meet the others at this one point brings the communion to a terrifying pitch and exalts the girl more than any mere statement could . It is as if the presence that rolls through all things had arrived at a point of ...
... intensity , to meet the others at this one point brings the communion to a terrifying pitch and exalts the girl more than any mere statement could . It is as if the presence that rolls through all things had arrived at a point of ...
Page 50
... intensity . But surely he dwells on single objects alone in their kind , things more often than people but people too , because he could get closer to understanding when there were no distractions of duplication . Dispersal of intensity ...
... intensity . But surely he dwells on single objects alone in their kind , things more often than people but people too , because he could get closer to understanding when there were no distractions of duplication . Dispersal of intensity ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |