Wordsworth and the Poetry of Encounter |
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Page 58
... finally , nothing less than a death of the self ) begins with a numbing of sense but ends up by proving only that the weight of physicality has to be borne . Still , nothing about Keats is ever simple . The road out of the senses ...
... finally , nothing less than a death of the self ) begins with a numbing of sense but ends up by proving only that the weight of physicality has to be borne . Still , nothing about Keats is ever simple . The road out of the senses ...
Page 94
... finally matters , is essentially the same : the object , part of the whole , serves also as the image that focuses and magnifies the organic world of the whole . The romantic poet's skill in conquering the flux of time , the transience ...
... finally matters , is essentially the same : the object , part of the whole , serves also as the image that focuses and magnifies the organic world of the whole . The romantic poet's skill in conquering the flux of time , the transience ...
Page 164
... finally become apparent to him . But even the pleasures of time cannot gloss over the contextual differences between " I hear , I hear , with joy I hear ! " and " A poet could not but be gay , / In such a jocund company " : the ode ...
... finally become apparent to him . But even the pleasures of time cannot gloss over the contextual differences between " I hear , I hear , with joy I hear ! " and " A poet could not but be gay , / In such a jocund company " : the ode ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |