Wordsworth and the Poetry of Encounter |
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Page 24
... feeling that he has wronged the season has , like most of his statements here , some- thing desperately self - convincing about ... feel it . The emotion subsides and becomes an underlying anxiety he cannot quite allay . The inevitable ...
... feeling that he has wronged the season has , like most of his statements here , some- thing desperately self - convincing about ... feel it . The emotion subsides and becomes an underlying anxiety he cannot quite allay . The inevitable ...
Page 132
... feel anything at all was very gratifying . Peter Bell and " The World Is Too Much with Us " share that deep background too . The Excursion has none of it . Thus , while the sonnet and the passage from The Excursion agree that the ...
... feel anything at all was very gratifying . Peter Bell and " The World Is Too Much with Us " share that deep background too . The Excursion has none of it . Thus , while the sonnet and the passage from The Excursion agree that the ...
Page 134
... feel that , despite what Coleridge said in comparing him to Goethe . Keats is an early exemplar of that aspect of the romantic imagination which is empathic , rejecting feeling - for or feeling - with for feeling - within . The romantic ...
... feel that , despite what Coleridge said in comparing him to Goethe . Keats is an early exemplar of that aspect of the romantic imagination which is empathic , rejecting feeling - for or feeling - with for feeling - within . The romantic ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |