Wordsworth and the Poetry of Encounter |
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Page 109
... comes from spiritual paralysis , but at the end of that poem and in the fragment it comes from " set- tled quiet , " something very different indeed . After the first sixty - six lines of " The Old Cumberland Beggar , " which are ...
... comes from spiritual paralysis , but at the end of that poem and in the fragment it comes from " set- tled quiet , " something very different indeed . After the first sixty - six lines of " The Old Cumberland Beggar , " which are ...
Page 163
... comes into the picture , what the observer sees through time is another perspective , in other dimensions , created by the har- monious meeting of these images . Only in the fullness of these dimensions does the observer learn that he ...
... comes into the picture , what the observer sees through time is another perspective , in other dimensions , created by the har- monious meeting of these images . Only in the fullness of these dimensions does the observer learn that he ...
Page 166
... comes back to him . That , obviously , was a lesson sufficient for what this stranger needed to know . Yet out of the relationship between the early and later ex- periences emerges a further , probably final perspective on all these ...
... comes back to him . That , obviously , was a lesson sufficient for what this stranger needed to know . Yet out of the relationship between the early and later ex- periences emerges a further , probably final perspective on all these ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |