Wordsworth and the Poetry of Encounter |
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Page 4
... clearly , have been heightened and intensified , but very many more have no place whatsoever in the activity which is the encounter of the observer and the girl . Although the singer is placed solidly in her surroundings , she is in no ...
... clearly , have been heightened and intensified , but very many more have no place whatsoever in the activity which is the encounter of the observer and the girl . Although the singer is placed solidly in her surroundings , she is in no ...
Page 24
... clearly not the farewell to 10 Cf. The Prelude , XII , 31–37 : The morning shines , Nor heedeth Man's perverseness ; Spring returns , — I saw the Spring return , and could rejoice , In common with the children of her love , Piping on ...
... clearly not the farewell to 10 Cf. The Prelude , XII , 31–37 : The morning shines , Nor heedeth Man's perverseness ; Spring returns , — I saw the Spring return , and could rejoice , In common with the children of her love , Piping on ...
Page 135
... clearly through Hopkins's conception of " inscape , ” an- other version of the penetrative imagination , and into Rilke's Dinggedichte , which , however much they owe to the French Parnassians , are surely the finest poems to come out ...
... clearly through Hopkins's conception of " inscape , ” an- other version of the penetrative imagination , and into Rilke's Dinggedichte , which , however much they owe to the French Parnassians , are surely the finest poems to come out ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |