Wordsworth and the Poetry of Encounter |
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Page 1
... called no more Jacob , but Israel : for as a prince hast thou power with God and with men , and hast prevailed . And Jacob asked him , and said , Tell me , I pray thee , thy name . And he said , Wherefore is it that thou dost ask after ...
... called no more Jacob , but Israel : for as a prince hast thou power with God and with men , and hast prevailed . And Jacob asked him , and said , Tell me , I pray thee , thy name . And he said , Wherefore is it that thou dost ask after ...
Page 12
... called such knowing " knowledge not purchased by the loss of power , " certainly in contrast to the kind bought by the Moralist char- acters in " A Poet's Epitaph " : to whose smooth - rubbed soul can cling Nor form , nor feeling ...
... called such knowing " knowledge not purchased by the loss of power , " certainly in contrast to the kind bought by the Moralist char- acters in " A Poet's Epitaph " : to whose smooth - rubbed soul can cling Nor form , nor feeling ...
Page 116
... called " the dead calm lake " ( only now is the phrase seen as ominous ) becomes " the dead unfeeling lake " ; the symmetry reveals the progress in the process of knowing that outlines the poem . And the movement up the scale of life ...
... called " the dead calm lake " ( only now is the phrase seen as ominous ) becomes " the dead unfeeling lake " ; the symmetry reveals the progress in the process of knowing that outlines the poem . And the movement up the scale of life ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |