Wordsworth and the Poetry of Encounter |
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Page 63
... bring back for a moment some aspects of his youthful mode of vision . By concentrating the presence of the bird into the single element of its voice , Wordsworth gets as close as he can to making it unsubstantial , yet he gives it just ...
... bring back for a moment some aspects of his youthful mode of vision . By concentrating the presence of the bird into the single element of its voice , Wordsworth gets as close as he can to making it unsubstantial , yet he gives it just ...
Page 164
... brings actively into play the knowledge that there are wholenesses everywhere , groups of all sorts partaking in one ... bring only a heavy sense of loss , refuses to accept the consolations available in the 164 WORDSWORTH AND THE POETRY ...
... brings actively into play the knowledge that there are wholenesses everywhere , groups of all sorts partaking in one ... bring only a heavy sense of loss , refuses to accept the consolations available in the 164 WORDSWORTH AND THE POETRY ...
Page 166
... bring back the memory of the dance but , rather , the surpris- ing reemergence up to the surface of an image unsummoned but cherished when it is known . He is , in other words , reliving the pattern of the whole early scenario . The ...
... bring back the memory of the dance but , rather , the surpris- ing reemergence up to the surface of an image unsummoned but cherished when it is known . He is , in other words , reliving the pattern of the whole early scenario . The ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |