Wordsworth and the Poetry of Encounter |
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Page 92
... become of the thorn . Or it may be that the point of view was not such as to make it possible or desirable to do more with the thorn by itself . At any rate , the thorn that names the poem becomes a kind of trigger which releases the ...
... become of the thorn . Or it may be that the point of view was not such as to make it possible or desirable to do more with the thorn by itself . At any rate , the thorn that names the poem becomes a kind of trigger which releases the ...
Page 93
... become not only subject matter but also com- pelling particulars in the process of creating form . But the object should ... becomes the symbol of the commanding presence of the whole . This happens often for Wordsworth and for others as ...
... become not only subject matter but also com- pelling particulars in the process of creating form . But the object should ... becomes the symbol of the commanding presence of the whole . This happens often for Wordsworth and for others as ...
Page 160
... becomes aware of here on this earth . There is a rhythm in the universe , a con- tinuum that spreads through the things of this world but also swings up to the stars themselves . The imagery of the cosmos achieves its fullest effect ...
... becomes aware of here on this earth . There is a rhythm in the universe , a con- tinuum that spreads through the things of this world but also swings up to the stars themselves . The imagery of the cosmos achieves its fullest effect ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |