Wordsworth and the Poetry of Encounter |
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Page 67
... aspect of sense effectively promotes the impact of another aspect that comes , somewhat surprisingly , from a different direction . That , of course , is what happens here with this observer , who is greeted by the voice , now ...
... aspect of sense effectively promotes the impact of another aspect that comes , somewhat surprisingly , from a different direction . That , of course , is what happens here with this observer , who is greeted by the voice , now ...
Page 168
... aspects of context , aspects which turn out to be the critical structuring elements within the poem , as in " Composed upon Westminster Bridge . " The fact that one of the central objects within an encounter can become a synecdoche for ...
... aspects of context , aspects which turn out to be the critical structuring elements within the poem , as in " Composed upon Westminster Bridge . " The fact that one of the central objects within an encounter can become a synecdoche for ...
Page 176
... aspect of the physical in this poem is its usefulness as a source for metaphor . ( For very good reasons Wordsworth is coming close here to the mode of Gray . ) But even that aspect has an odd ring : some- where deep in the analogy on ...
... aspect of the physical in this poem is its usefulness as a source for metaphor . ( For very good reasons Wordsworth is coming close here to the mode of Gray . ) But even that aspect has an odd ring : some- where deep in the analogy on ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |