Wordsworth and the Poetry of Encounter |
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Page 58
... Keats and Shelley have only an apparent similarity to the kind of material with which Wordsworth usually worked . Shelley's skylark and Keats's nightingale are , like Wordsworth's wren or his cuckoo , images of joy . The difference ...
... Keats and Shelley have only an apparent similarity to the kind of material with which Wordsworth usually worked . Shelley's skylark and Keats's nightingale are , like Wordsworth's wren or his cuckoo , images of joy . The difference ...
Page 59
... Keats's " Ode to a Nightin- gale . " Shelley takes over fully the image of a disembodied voice with the " unbodied joy " in " To a Skylark , " where he moves even closer to Keats though he shares a special awareness with Wordsworth . He ...
... Keats's " Ode to a Nightin- gale . " Shelley takes over fully the image of a disembodied voice with the " unbodied joy " in " To a Skylark , " where he moves even closer to Keats though he shares a special awareness with Wordsworth . He ...
Page 134
... Keats to match nothing in Wordsworth , the old bird who would brood and peacock rather than thin the bright colors of self toward some impossible but conceivable trans- lucence . In some of his moods , particularly in the major odes , Keats ...
... Keats to match nothing in Wordsworth , the old bird who would brood and peacock rather than thin the bright colors of self toward some impossible but conceivable trans- lucence . In some of his moods , particularly in the major odes , Keats ...
Contents
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
A Synecdoche for Wholeness | 73 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness Basil Willey bird cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity John Keats Keats Keats's kind knowledge landscape limitations lyric on daffodils Lyrical Ballads meaning meeting ment mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |