The Dynamics of Literary Response |
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Page 124
... stanza three splits intellectual from unconscious significance more drastically than stanzas one and two ... stanza four begins with something new again — that the poet is in love with his companion ( who did not hear the sex- ual ...
... stanza three splits intellectual from unconscious significance more drastically than stanzas one and two ... stanza four begins with something new again — that the poet is in love with his companion ( who did not hear the sex- ual ...
Page 199
... stanzas . Morning and night in the first stanza lead to the twelve hours of loving in the second . The face at the end of the second becomes the " brown hair " at the beginning of the third . The " ground " at the end of the third ...
... stanzas . Morning and night in the first stanza lead to the twelve hours of loving in the second . The face at the end of the second becomes the " brown hair " at the beginning of the third . The " ground " at the end of the third ...
Page 208
... stanza , we would find it no more satisfactory as play than the other poem . The third stanza , though it goes beyond the merely witty resolu- tion of the second , still does not resolve the real conflict . Instead , the current of ...
... stanza , we would find it no more satisfactory as play than the other poem . The third stanza , though it goes beyond the merely witty resolu- tion of the second , still does not resolve the real conflict . Instead , the current of ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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adult aesthetic affect aggressive anal anxiety Arnold associated audience become cathexis character child clash by night Conrad conscious critics darkling plain deal defense disbelief displacement Dover Beach dream drive emotional example experience Falstaff fantasy content fear feel Fellini fiction film formal Freud give gratification haiku images intellectual introjection joke kind L-shaped rooms La Dolce Vita lady language literary literature loathly lady look maistrie manage meaning Mercutio mind moral mother myth mythic night Northrop Frye novel object oedipal oral passive pattern phallic phallus phrase play pleasure poem poet poetry primal scene primitive psychoanalytic psychological puzzling movies reader reading reality regression resonance response rhyme seems Senryu sense sexual Shakespeare sound stanza story style suggests superego suspension of disbelief symbols Tale tasy theme things tion transformation uncon verbal Verloc Wife wish woman words writer