The Dynamics of Literary Response |
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Page 118
Norman Norwood Holland. of constancy with another person , and so defended he can give us the final , terrible image of the ignorant armies that clash by night . In short , the poem gives me this tranquility because I am over- protected ...
Norman Norwood Holland. of constancy with another person , and so defended he can give us the final , terrible image of the ignorant armies that clash by night . In short , the poem gives me this tranquility because I am over- protected ...
Page 131
... give us pleasure . We should remember , too , that , just as the lovers in " Dover Beach " serve both as a source of pleasure and as a defensive mas- tering of the initial conflict , so , in every poem , any given element may serve as a ...
... give us pleasure . We should remember , too , that , just as the lovers in " Dover Beach " serve both as a source of pleasure and as a defensive mas- tering of the initial conflict , so , in every poem , any given element may serve as a ...
Page 280
... give us a tumble , toward girls like Juliet who will give us a tumble , and so on . We put onto Mercutio our pre- existing feelings and this much more massive second order of feel- ings increases our response to the play , because ...
... give us a tumble , toward girls like Juliet who will give us a tumble , and so on . We put onto Mercutio our pre- existing feelings and this much more massive second order of feel- ings increases our response to the play , because ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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adult aesthetic affect aggressive anal anxiety Arnold associated audience become cathexis character child clash by night Conrad conscious critics darkling plain deal defense disbelief displacement Dover Beach dream drive emotional example experience Falstaff fantasy content fear feel Fellini fiction film formal Freud give gratification haiku images intellectual introjection joke kind L-shaped rooms La Dolce Vita lady language literary literature loathly lady look maistrie manage meaning Mercutio mind moral mother myth mythic night Northrop Frye novel object oedipal oral passive pattern phallic phallus phrase play pleasure poem poet poetry primal scene primitive psychoanalytic psychological puzzling movies reader reading reality regression resonance response rhyme seems Senryu sense sexual Shakespeare sound stanza story style suggests superego suspension of disbelief symbols Tale tasy theme things tion transformation uncon verbal Verloc Wife wish woman words writer