The Dynamics of Literary Response |
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Page 94
... film to see if the right affect was indeed induced . It was not . On the basis of a study of the literature , an initial formulation was developed that the stimulus properties of a film could be defined by the consensus of a group of ...
... film to see if the right affect was indeed induced . It was not . On the basis of a study of the literature , an initial formulation was developed that the stimulus properties of a film could be defined by the consensus of a group of ...
Page 95
... film stimulus . It seems , then , that each notion is in part correct , i.e. , nei- ther can the film superimpose an affect on the subject nor can the subject remain entirely free of specific stimulus properties of the film . It is not ...
... film stimulus . It seems , then , that each notion is in part correct , i.e. , nei- ther can the film superimpose an affect on the subject nor can the subject remain entirely free of specific stimulus properties of the film . It is not ...
Page 164
... film . As Marshall McLuhan puts it : Fellini and Bergman pull the story line off the film and the re- sult is that you become much more profoundly involved in the film process . When you put a story line on a novel or a film , you're ...
... film . As Marshall McLuhan puts it : Fellini and Bergman pull the story line off the film and the re- sult is that you become much more profoundly involved in the film process . When you put a story line on a novel or a film , you're ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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Common terms and phrases
adult aesthetic affect aggressive anal anxiety Arnold associated audience become cathexis character child clash by night Conrad conscious critics darkling plain deal defense disbelief displacement Dover Beach dream drive emotional example experience Falstaff fantasy content fear feel Fellini fiction film formal Freud give gratification haiku images intellectual introjection joke kind L-shaped rooms La Dolce Vita lady language literary literature loathly lady look maistrie manage meaning Mercutio mind moral mother myth mythic night Northrop Frye novel object oedipal oral passive pattern phallic phallus phrase play pleasure poem poet poetry primal scene primitive psychoanalytic psychological puzzling movies reader reading reality regression resonance response rhyme seems Senryu sense sexual Shakespeare sound stanza story style suggests superego suspension of disbelief symbols Tale tasy theme things tion transformation uncon verbal Verloc Wife wish woman words writer