The Dynamics of Literary Response |
From inside the book
Results 1-3 of 51
Page 175
... fear is . I am certain , then , to find the prob- lems and fears of literally everyone . An avant - garde dramatist . . . is making a real attempt to re- turn to the source . But what source ? That of the theatre . A re- turn to an ...
... fear is . I am certain , then , to find the prob- lems and fears of literally everyone . An avant - garde dramatist . . . is making a real attempt to re- turn to the source . But what source ? That of the theatre . A re- turn to an ...
Page 237
... fear and desire of woman , particularly the sight of woman . We can also see somewhat unexpected relations among different writers - for example , that Conrad , Fellini , and Lovelace all deal with the same core fantasy , the fear of ...
... fear and desire of woman , particularly the sight of woman . We can also see somewhat unexpected relations among different writers - for example , that Conrad , Fellini , and Lovelace all deal with the same core fantasy , the fear of ...
Page 301
... fears ; what one fears , one also wishes . Fear and wish combine in fantasy as libido and aggression do in drives . Cases I and II , then , must represent situations where the fear is minimal ; cases III and IV where it is noticeable ...
... fears ; what one fears , one also wishes . Fear and wish combine in fantasy as libido and aggression do in drives . Cases I and II , then , must represent situations where the fear is minimal ; cases III and IV where it is noticeable ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
13 other sections not shown
Other editions - View all
Common terms and phrases
adult aesthetic affect aggressive anal anxiety Arnold associated audience become cathexis character child clash by night Conrad conscious critics darkling plain deal defense disbelief displacement Dover Beach dream drive emotional example experience Falstaff fantasy content fear feel Fellini fiction film formal Freud give gratification haiku images intellectual introjection joke kind L-shaped rooms La Dolce Vita lady language literary literature loathly lady look maistrie manage meaning Mercutio mind moral mother myth mythic night Northrop Frye novel object oedipal oral passive pattern phallic phallus phrase play pleasure poem poet poetry primal scene primitive psychoanalytic psychological puzzling movies reader reading reality regression resonance response rhyme seems Senryu sense sexual Shakespeare sound stanza story style suggests superego suspension of disbelief symbols Tale tasy theme things tion transformation uncon verbal Verloc Wife wish woman words writer