The New York Speaker: A Selection of Pieces Designed for Academic Exercises in Elocution |
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Page 25
... turn of the wrist , to give the hand an easy slope ; all ges- tures made in zig - zag instead of flowing and curving lines , with no free sweep of the arm , even in the boldest passages of decla- mation ; the whole person of the speaker ...
... turn of the wrist , to give the hand an easy slope ; all ges- tures made in zig - zag instead of flowing and curving lines , with no free sweep of the arm , even in the boldest passages of decla- mation ; the whole person of the speaker ...
Page 29
... turn of the body . He thus commands , with- out effort , the whole sphere of his address , and secures the at- tention of all his audience . But the speaker who falls into any of the three faults exemplified , has either wholly to ...
... turn of the body . He thus commands , with- out effort , the whole sphere of his address , and secures the at- tention of all his audience . But the speaker who falls into any of the three faults exemplified , has either wholly to ...
Page 30
... turn , at intervals , to avoid the apparent neglect . The shift of position , however , either way , does little good ; as it causes him to turn his back on the part of his audi- ence from which , for the moment , he wheels away ...
... turn , at intervals , to avoid the apparent neglect . The shift of position , however , either way , does little good ; as it causes him to turn his back on the part of his audi- ence from which , for the moment , he wheels away ...
Page 38
... turning the speaker away from , or impelling him impudently up to , those whom he addresses . By their swelling self ... turns away the head , and keeps the eyelids down : its stronger expression causes the eyes to stare , the nostrils ...
... turning the speaker away from , or impelling him impudently up to , those whom he addresses . By their swelling self ... turns away the head , and keeps the eyelids down : its stronger expression causes the eyes to stare , the nostrils ...
Page 39
... turn rapidly , in alternate motion to and from the object of dread ; the arms are projected rigidly , on a line level with the shoulder ; the hands vertical , fingers stiffened and outspread , as if to keep off the approaching object of ...
... turn rapidly , in alternate motion to and from the object of dread ; the arms are projected rigidly , on a line level with the shoulder ; the hands vertical , fingers stiffened and outspread , as if to keep off the approaching object of ...
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Common terms and phrases
Annabel Lee attitude and action beauty bell Belshazzar beneath blood body bold bosom brave breast breath bright brow cheek child cloud cried Dacotahs dark dead death deep dream earth eloquence Erin go bragh expression falchion father fear feeling feet fire gesture glory grave hath head hear heard heart heaven Hiawatha hill hour Katydid king land Laughing Water light lips living Lochinvar look Lord mighty Mondamin moon morning mountain N. P. Willis nature ne'er never night noble Number o'er pale passed pride proud R. H. Barham Rhine rock rose round Samian wine shore sigh smile song soul speak speaker spirit stars stood style sweet sword tears tell tempest thee thine thou art thought throne thunder Toll verger voice vulgar boy waves weep wigwam wild wind wings word Yankee girls young