The New York Speaker: A Selection of Pieces Designed for Academic Exercises in Elocution |
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Page 24
... feet , obtrusive curvilinear sweeps of the arm , and gestures in- troduced because they are pretty or graceful . - FIRMNESS . The second feature of good style in gesture , FIRMNESS , is opposed to all feeble slackness , or yielding weak ...
... feet , obtrusive curvilinear sweeps of the arm , and gestures in- troduced because they are pretty or graceful . - FIRMNESS . The second feature of good style in gesture , FIRMNESS , is opposed to all feeble slackness , or yielding weak ...
Page 25
... feet glued to the floor ; the very features of the face apparently immovable and blank ; the eyes fixed on vacancy , or on the floor , instead of communicating with the audi- ence ; the whole facial expression reminding an observer of ...
... feet glued to the floor ; the very features of the face apparently immovable and blank ; the eyes fixed on vacancy , or on the floor , instead of communicating with the audi- ence ; the whole facial expression reminding an observer of ...
Page 28
... feet equally . The latter posture renders the attitude of the whole body stiff and rigid , deprives the action of the arm of the free and consentaneous play of the whole muscular system , and gives a mechanical air to every motion of ...
... feet equally . The latter posture renders the attitude of the whole body stiff and rigid , deprives the action of the arm of the free and consentaneous play of the whole muscular system , and gives a mechanical air to every motion of ...
Page 29
... feet , which plants them parallel , and pointing in a line drawn . straight forward from the speaker's body , thus : In the three false positions , the weight of the body bears upon both feet equally , producing either a clumsy or a ...
... feet , which plants them parallel , and pointing in a line drawn . straight forward from the speaker's body , thus : In the three false positions , the weight of the body bears upon both feet equally , producing either a clumsy or a ...
Page 30
... therefore quiet and retired , rather than active and advanced . The posture of the feet , accordingly , is that in which the weight of the speaker's body rests on the left foot 30 INTRODUCTORY REMARKS ON DECLAMATION . New England,
... therefore quiet and retired , rather than active and advanced . The posture of the feet , accordingly , is that in which the weight of the speaker's body rests on the left foot 30 INTRODUCTORY REMARKS ON DECLAMATION . New England,
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Common terms and phrases
Annabel Lee attitude and action beauty bell Belshazzar beneath blood body bold bosom brave breast breath bright brow cheek child cloud cried Dacotahs dark dead death deep dream earth eloquence Erin go bragh expression falchion father fear feeling feet fire gesture glory grave hath head hear heard heart heaven Hiawatha hill hour Katydid king land Laughing Water light lips living Lochinvar look Lord mighty Mondamin moon morning mountain N. P. Willis nature ne'er never night noble Number o'er pale passed pride proud R. H. Barham Rhine rock rose round Samian wine shore sigh smile song soul speak speaker spirit stars stood style sweet sword tears tell tempest thee thine thou art thought throne thunder Toll verger voice vulgar boy waves weep wigwam wild wind wings word Yankee girls young