Tradition and Subversion in Renaissance Literature: Studies in Shakespeare, Spenser, Jonson, and Donne
Deconstructionist critics have argued that literary works contain conflicting or contradictory meanings, thus creating an aporia, or impasse, that prevents readers from interpreting the work. Here, however, Murray Roston offers detailed and essentially new analyses of works by Shakespeare, Spenser, Jonson, and Donne, arguing that the seemingly contradictory presence of traditional and subversive elements in their major works actually creates the source of much of their literary achievement. Chapters explore The Merchant of Venice, Hamlet, Faerie Queene, Volpone, and the Meditations of John Donne, highlighting the creative tension between centripetal and centrifugal factors (borrowing Bakhtin's terms). As Roston demonstrates, this tension exists in a variety of genres, including poetry, epic and drama, and even in religious prose which, he acknowledges, might be thought to be exempt from such inner conflict because of its doctrinal and theological focus. The tension between tradition and subversion, both linguistic and cultural, then, can be seen to produce not aporia in any negative sense, but a positive complexity of response from the audience, animating and profoundly enriching each work. In The Merchant of Venice, for example, Shakespeare merges the previously despised figure of the merchant with a Christ-like figure, brilliantly reasserting the Christian condemnation of profiteering while simultaneously advocating its seeming opposite, a validation of the burgeoning mercantile activity of the Renaissance. Tradition and Subversion in Renaissance Literary Studies is a thoughtful study, rich in both historical scholarship and in its survey of modern criticism. Even those who are quite familiar with the texts discussed here will find Roston's focus on the tension between maintaining the expectations of the culture and pulling toward new ideas an illuminating way to freshly consider these literary works.
What people are saying - Write a review
We haven't found any reviews in the usual places.
ONE Sacred and Secular in The Merchant
Two Hamlet and the Stoic
THREE Spenser and the Pagan Gods
4 other sections not shown
Antonio appearance argued aspects attempt audience become believe biblical called Cambridge Catholic century characters Christian church claim classical comedy concept concern condemnation contemporary contrast critics death depicted divine doctrine Donne Donne's drama earlier elements Elizabethan emerged English existence faith father figure Hamlet hand hath heaven Holy interest interpretation John Jonson later leading literary literature London manuals means meditation Merchant moral nature never Nicholas of Cusa notes offers once opening Oxford performance Plautus play present principle produced Protestant Puritan reading reason reference regarded religious remains Renaissance response scene scriptural seems seen sense Sermons Shakespeare Shylock soul Spenser's spirit Stoic suggests suicide Testament theme things thou thought throughout tion tradition true University Press usury Volpone Volpone's wealth writings York