Lectures on Poetry and General Literature: Delivered at the Royal Institution in 1830 and 1831 |
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Page 6
... song , That with no middle flight intends to soar Above the Aconian mount : " and experiences full proof of the poet's power to ac- complish his purpose , so magnificently set forth in the crowning lines of the clause : — ، That to the ...
... song , That with no middle flight intends to soar Above the Aconian mount : " and experiences full proof of the poet's power to ac- complish his purpose , so magnificently set forth in the crowning lines of the clause : — ، That to the ...
Page 8
... song of pure consent , Aye sung around the sapphire - colour'd throne , To Him that sits thereon : Where the bright seraphim , in burning row , Their loud , uplifted angel - trumpets blow ; And the cherubic hosts , in thousand quires ...
... song of pure consent , Aye sung around the sapphire - colour'd throne , To Him that sits thereon : Where the bright seraphim , in burning row , Their loud , uplifted angel - trumpets blow ; And the cherubic hosts , in thousand quires ...
Page 10
... songs of Robert Burns to the melodies of Thomas Moore . Yet something must be conceded occasionally on the part of the poets , though no more than may , at the same time , improve their lines as verse , while it renders them more obe ...
... songs of Robert Burns to the melodies of Thomas Moore . Yet something must be conceded occasionally on the part of the poets , though no more than may , at the same time , improve their lines as verse , while it renders them more obe ...
Page 17
... songs with which I am ac- quainted , whether among the few fragments of anti- quity , or in the whole armoury of later ages . Poetry and Sculpture . Sculpture is the noblest , but the most limited of the manual fine arts ; it produces ...
... songs with which I am ac- quainted , whether among the few fragments of anti- quity , or in the whole armoury of later ages . Poetry and Sculpture . Sculpture is the noblest , but the most limited of the manual fine arts ; it produces ...
Page 74
... song prose and verse . In the former , the rhythm or cadence is allowed to flow on , without interrup- tion , into lengths and subdivisions of period , ac- cording to the requirements of the subject - matter ; whereas in verse ...
... song prose and verse . In the former , the rhythm or cadence is allowed to flow on , without interrup- tion , into lengths and subdivisions of period , ac- cording to the requirements of the subject - matter ; whereas in verse ...
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Common terms and phrases
admiration Æneid affections amidst ancient awaken beauty blank verse character circumstances colour composition death delight diction dwell earth Egyptians eloquence employed English epic poetry equal excellence exquisite Faerie Queene fancy feel genius glory Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics Homer honour human ideas Iliad images imagination ingulph invention kind labours language latter learning less lines literature living Lord Lord Byron memory ment Milton mind mnemonics modern moral nations nature never once original painting Paradise Lost passions peculiar perfect perpetual Philip of Macedon Pisistratus poem poet poetical poetry present prose reader rhyme Robert Burns Roman scarcely scene sculpture sentiments song soul sound spirit splendour stanzas strains style sublime syllables taste thee theme things thou thought thousand tion touch truth uncon unto verse Virgil whole words writing
Popular passages
Page 25 - And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower; and now The arena swims around him — he is gone, Ere ceased the inhuman shout which hail'd the wretch who won. He heard it, but he heeded not — his eyes Were with his heart, and that was far away...
Page 171 - Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and Pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Page 61 - As the cloud is consumed and vanisheth away: so he that goeth down to the grave shall come up no more. He shall return no more to his house, neither shall his place know him any more.
Page 240 - And he said, BLESSED be the Lord God of Shem ; And Canaan shall be his servant. God shall enlarge Japheth, And he shall dwell in the tents of Shem ; And Canaan shall be his servant.
Page 51 - And the LORD said unto Moses, Stretch out thine hand over the sea, that the waters may come again upon the Egyptians, upon their chariots, and upon their...
Page 101 - ... a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual way; and, further, and above all, to make these incidents and situations interesting by tracing in them, truly though not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement.
Page 101 - Poems was to choose incidents and situations from common life, and to relate or describe them, throughout, as far as was possible in a selection of language really used by men, and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual aspect...
Page 246 - And Jacob said unto Pharaoh, The days of the years of my pilgrimage are an hundred and thirty years : few and evil have the days of the years of my life been, and have not attained unto the days of the years of the life of my fathers in the days of their pilgrimage.
Page 126 - Could I embody and unbosom now, That which is most within me, — could I wreak My thoughts upon expression, and thus throw Soul, heart, mind, passions, feelings, strong or weak, All that I would have sought, and all I seek, Bear, know, feel, and yet breathe — into one word, And that one word were lightning, I would speak ; But as it is, I live and die unheard, [sword.
Page 51 - LEAR. Pray, do not mock me: I am a very foolish fond old man, fourscore and upward, not an hour more nor less; and, to deal plainly, I fear I am not in my perfect mind.