Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
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Page 8
... scene set by the Chaplain , a tempting narrator and seductive rhapsodist . His story is both simple and paradox , the characters are few , a protagonist and his antagonist . The gate , the only major prop , sets up a classical threshold ...
... scene set by the Chaplain , a tempting narrator and seductive rhapsodist . His story is both simple and paradox , the characters are few , a protagonist and his antagonist . The gate , the only major prop , sets up a classical threshold ...
Page 15
... scene is interrupted by another flashback , narrated by the Supplicant , who tells the Fat Man about a party , whose social absurdities and comic misunderstandings are worthy of Charlie Chaplin movies . Then the Supplicant meets a drunk ...
... scene is interrupted by another flashback , narrated by the Supplicant , who tells the Fat Man about a party , whose social absurdities and comic misunderstandings are worthy of Charlie Chaplin movies . Then the Supplicant meets a drunk ...
Page 66
... scene when K. and his uncle , accompanied by a secretary , leave the monumental hall of the office in a counter direction to the rest of the employees and it is equally evident in the scene where K. is walking through rows of standing ...
... scene when K. and his uncle , accompanied by a secretary , leave the monumental hall of the office in a counter direction to the rest of the employees and it is equally evident in the scene where K. is walking through rows of standing ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer