Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
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Page 54
... reader : " We need the books that affect us like a disaster ... A book must be the axe for the frozen sea inside us ... reading of his story In the Penal Colony actually had a physical impact on his audience . Some fainted , many even ...
... reader : " We need the books that affect us like a disaster ... A book must be the axe for the frozen sea inside us ... reading of his story In the Penal Colony actually had a physical impact on his audience . Some fainted , many even ...
Page 55
... reading of his texts . Today not only literary critics , but more and more , film directors , are subject to this same compelling desire to present their own definite readings or filmic interpretations of Kafka's texts . For the ...
... reading of his texts . Today not only literary critics , but more and more , film directors , are subject to this same compelling desire to present their own definite readings or filmic interpretations of Kafka's texts . For the ...
Page 64
... readers still go rigid when reading Kafka . Notes 1. “ The onlookers go rigid when the train goes past . " Hanns Zischler indicates the context of this entry in his study Kafka geht ins Kino ( 15 ) . The influence of films on Kafka's ...
... readers still go rigid when reading Kafka . Notes 1. “ The onlookers go rigid when the train goes past . " Hanns Zischler indicates the context of this entry in his study Kafka geht ins Kino ( 15 ) . The influence of films on Kafka's ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer