Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
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Page 13
... images and spread of simulacra that were held to displace the originality of traditional art and the authenticity of unique experience . In a similar way , Kafka criticizes cinema for disrupting the " natural " perception of reality by ...
... images and spread of simulacra that were held to displace the originality of traditional art and the authenticity of unique experience . In a similar way , Kafka criticizes cinema for disrupting the " natural " perception of reality by ...
Page 54
... images aroused in the viewer , he might well have been recalling his own vision recorded five years earlier in his ... images on people's emotions . Zischler states " The shock of the moved and in itself moving image gives Kafka ...
... images aroused in the viewer , he might well have been recalling his own vision recorded five years earlier in his ... images on people's emotions . Zischler states " The shock of the moved and in itself moving image gives Kafka ...
Page 58
... images . He does not succumb to the illusion that the medium of film can serve to transfer and reproduce the novel authentically , and deals in an extraordinarily liberal manner with the text . In placing Before the Law as preface to ...
... images . He does not succumb to the illusion that the medium of film can serve to transfer and reproduce the novel authentically , and deals in an extraordinarily liberal manner with the text . In placing Before the Law as preface to ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer