Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
From inside the book
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Page 15
... human feelings from the intersubjectivity of the fictional characters ' seemingly casual but increasingly tension - filled relationship . The true nature of their love / hate can only be intimated by the reader , used to the insight ...
... human feelings from the intersubjectivity of the fictional characters ' seemingly casual but increasingly tension - filled relationship . The true nature of their love / hate can only be intimated by the reader , used to the insight ...
Page 16
... human relationships is given to me , ” he writes , “ their experience [ Erleben ] is not " ( F 472 ; Zischler 131 ) . As Kafka implies , his attitude toward the world is akin to that of the spectator watching a film . People encountered ...
... human relationships is given to me , ” he writes , “ their experience [ Erleben ] is not " ( F 472 ; Zischler 131 ) . As Kafka implies , his attitude toward the world is akin to that of the spectator watching a film . People encountered ...
Page 36
... Human life , then , is inseparable from guilt , although it is a felix culpa . According to the Kabbalah the ... human or Jewish life . Indeed , in the early 1900s notions of ending Jewish and human life altogether were not uncommon ...
... Human life , then , is inseparable from guilt , although it is a felix culpa . According to the Kabbalah the ... human or Jewish life . Indeed , in the early 1900s notions of ending Jewish and human life altogether were not uncommon ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer