Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
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Page 6
... gaze is invested with erotic desire . The desiring gaze turns visual perception into erotic fantasy within the imaginary as a space of virtual experience . The mise - en - scène in Kafka is a setting for the characters that stages ...
... gaze is invested with erotic desire . The desiring gaze turns visual perception into erotic fantasy within the imaginary as a space of virtual experience . The mise - en - scène in Kafka is a setting for the characters that stages ...
Page 9
... gaze is remarkable , as the man from the country loses sight of the gate and his goal by reducing his look to minutiae . In the literary imaginary , the moving gaze from totality to detail not only indicates the shifting visual ...
... gaze is remarkable , as the man from the country loses sight of the gate and his goal by reducing his look to minutiae . In the literary imaginary , the moving gaze from totality to detail not only indicates the shifting visual ...
Page 13
... gaze the calmness of the real . ” The movie camera by contrast transfers the " restlessness " of its mechanism to the perceived object itself ( Tagebücher 937 ; see Zischler 39-40 ) . This unsettling dynamic of the moving pictures is ...
... gaze the calmness of the real . ” The movie camera by contrast transfers the " restlessness " of its mechanism to the perceived object itself ( Tagebücher 937 ; see Zischler 39-40 ) . This unsettling dynamic of the moving pictures is ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer