Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
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Page 55
... communication , traffic and transfer . Finally , Kafka's writing establishes a territoriality that places itself like the celluloid film on the border between reality and non - reality . The “ wenn " sentence quoted at the beginning ...
... communication , traffic and transfer . Finally , Kafka's writing establishes a territoriality that places itself like the celluloid film on the border between reality and non - reality . The “ wenn " sentence quoted at the beginning ...
Page 61
... communication per se , since they doubt the bourgeois narrative of progress ( Schütte 49 ) . Straub / Huillet's unconventional film offers reflections upon the possibilities and limits of cinematography itself and speaks to Karl's ...
... communication per se , since they doubt the bourgeois narrative of progress ( Schütte 49 ) . Straub / Huillet's unconventional film offers reflections upon the possibilities and limits of cinematography itself and speaks to Karl's ...
Page 62
... communication - devouring ghosts . This antithesis is not likely to assuage Kafka . In Das Schloss he sends out K. to invade and survey this sphere of the ghosts and to demand natural intercourse . But K. gets tangled up in ...
... communication - devouring ghosts . This antithesis is not likely to assuage Kafka . In Das Schloss he sends out K. to invade and survey this sphere of the ghosts and to demand natural intercourse . But K. gets tangled up in ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer