Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
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Page 11
... appear at keyholes or in peep - hole situations . For example , when K. , with his uncle , first meets Leni in The Trial , she appears at the peep - hole . Her protruding eyes are visible and attract K.'s attention . Having cast an eye ...
... appear at keyholes or in peep - hole situations . For example , when K. , with his uncle , first meets Leni in The Trial , she appears at the peep - hole . Her protruding eyes are visible and attract K.'s attention . Having cast an eye ...
Page 32
... appear as interlinked in his texts . He uses clothes , first names , and titles , the outermost layers , rather than physical or psychological gender coding , as primary indicators of gender . Not unlike Weininger , Kafka places ...
... appear as interlinked in his texts . He uses clothes , first names , and titles , the outermost layers , rather than physical or psychological gender coding , as primary indicators of gender . Not unlike Weininger , Kafka places ...
Page 64
... appear to shatter anything nor does it succeed in de - icing the emotions . The trains of traffic in this film are not intended to direct visual perception into specific modes of awareness . However , like the flashlight of K's ...
... appear to shatter anything nor does it succeed in de - icing the emotions . The trains of traffic in this film are not intended to direct visual perception into specific modes of awareness . However , like the flashlight of K's ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer