Journal of the Kafka Society of America, Volume 24, Issues 1-2The Society, 2003 |
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Page 62
... Haneke , emphasize communication devices and , as if to extend Kafka's vision , add the wireless , the radio . We can nonetheless ask to which meaning do they arrive in their adaptations . Somber colors dominate the lighting in both ...
... Haneke , emphasize communication devices and , as if to extend Kafka's vision , add the wireless , the radio . We can nonetheless ask to which meaning do they arrive in their adaptations . Somber colors dominate the lighting in both ...
Page 64
... Haneke's film , in keeping a certain distance from the illusionary imperatives constituted by the medium , arrives at a reading of Kafka that emphasizes the prevailing social difficulties underlining the notion of a displaced stranger ...
... Haneke's film , in keeping a certain distance from the illusionary imperatives constituted by the medium , arrives at a reading of Kafka that emphasizes the prevailing social difficulties underlining the notion of a displaced stranger ...
Page 74
... Haneke ' adaptation is confronted with the kind of partial views and fragmentation that Kafka mentions in other texts as well . In one pithy observation he summarizes this complexity : " Die Mannigfalten , die sich mannigfaltig drehen ...
... Haneke ' adaptation is confronted with the kind of partial views and fragmentation that Kafka mentions in other texts as well . In one pithy observation he summarizes this complexity : " Die Mannigfalten , die sich mannigfaltig drehen ...
Contents
JOURNAL | 2 |
Kafkas Cinematic Gaze Flânerie and Urban Disourse | 13 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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allem andere Augenblick Beschreibung eines Kampfes Bild Bilder bleibt Blick camera Caneppele/Krenn 1998 castle characters cinematic cinematography Comics daher David Hugh Jones deren desire doorkeeper doorkeeper's eigentlich einmal encounter erst ersten Erzählweise father female finden Fischer flânerie flâneur fragment Frankfurt am Main Frankfurt/M Franz Kafka gaze geht gender gerade Geschichte Gesicht gibt Grözinger Guido Crepax Günther Anders Haneke Haneke's film Hanns Zischler Hrsg images interpretation Jewish Josef Josef K Kabbalah Kafka films Kafka Society Kafka's novel Kafka's text Kafka's writing Kapitel Karl Kino KKAD KKAT Klamm Klassenverhältnisse Körper Kracauer Leben Literatur Louise Brooks Macht Malcolm Pasley male Maria Luise Caputo-Mayr Michael Haneke mise-en-scène motion movie muß narrative narrator Noelte Pferd PROCESSO protagonist Prozeß Raban reality scheint Schloß Schocken schon Schreiben Schrift Schriften Seite Seiten sexual shots Society of America story Tagebücher trains of traffic Urteil Vater Verschollene viel vielleicht village visual Wagen Walter Benjamin Welt wenig wieder wurde Zischler Zuschauer