 ... the effacement of the boundary between art and everyday life; the collapse of the hierarchical distinction between high and mass/popular culture; a stylistic promiscuity favouring eclecticism and the mixing of codes; parody, pastiche, irony, playfulness...  Consumer Culture and Postmodernism - Page 63by Mike Featherstone - 2007 - 232 pagesLimited preview - About this book
 | Madan Sarup - Literary Criticism - 1993 - 226 pages
...only reasons. Among the central features associated with postmodernism in the arts are: the deletion of the boundary between art and everyday life; the collapse of the hierarchical distinction between elite and popular culture; a stylistic eclecticism and the mixing... | |
 | John Hassard - Business & Economics - 1995 - 194 pages
...the central features associated with postmodernism and culture can be summarized as the eflaccmcnt of the boundary between art and everyday life; the collapse of the hierarchical distinction between high and mass/popular culture; a stylistic promiscuity favouring eclecticism... | |
 | Gilbert Seldes - History - 1994 - 340 pages
...Featherstone in his essay "In Pursuit of the Postmodern: An Introduction" as having the following features: the effacement of the boundary between art and everyday life; the collapse of the hierarchical distinction between high and mass/popular culture; a stylistic promiscuity favouring eclecticism... | |
 | Arthur Asa Berger - Social Science - 1995 - 212 pages
...two movements in some cases. He lists some of the features connected with postmodernism in the arts: the effacement of the boundary between art and everyday life; the collapse of the hierarchical distinction between high and mass/ popular culture; a stylistic promiscuity favouring... | |
 | Arthur Asa Berger - Language Arts & Disciplines - 258 pages
...Featherstone in his essay "In Pursuit of the Postmodern: An Introduction" as having the following features: the effacement of the boundary between art and everyday life; the collapse of the hierarchical distinction between high and mass/popular culture; a stylistic promiscuity favouring eclecticism... | |
 | Graham Scambler, Paul Higgs - Postmodernism - 1998 - 272 pages
...1970s onwards. Linked to the arts, it was associated, in the words of Featherstone (1991: 7-8) with: the effacement of the boundary between art and everyday life; the collapse of the hierarchical distinction between high and mass/ popular culture; a stylistic promiscuity favouring... | |
 | Arthur Asa Berger - Philosophy - 1998 - 324 pages
...and Postmodernism (1991): Amongst the central features associated with postmodernism in the arts are: the effacement of the boundary between art and everyday life; the collapse of the hierarchical distinction between high and mass/popular culture; a stylistic promiscuity favouring eclecticism... | |
 | Michael Crotty - Social Science - 1998 - 260 pages
...been unable to retain its elitist character. Postmodernism is characterised, instead, by 'the deletion of the boundary between art and everyday life; the collapse of the hierarchical distinction between elire and popular culture; a stylistic eclecticism and the mixing... | |
 | Emma Barker, Senior Lecturer in Art History Emma Barker - Art - 1999 - 284 pages
...distinctive playfulness.6 Second, postmodernism is said to involve a breaking down of the boundaries between art and everyday life, the collapse of the distinction between high and mass culture (exemplified by the mutual influence of art and advertising). The idea that the present... | |
 | Teri McConville, Richard Holmes - History - 2003 - 254 pages
...this point, Among the central features associated with postmodernism in the arts are: the deletion of the boundary between art and everyday life; the collapse of the hierarchical distinction between elite and popular culture; a stylistic eclecticism and the mixing... | |
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