Proceedings of the British Academy, Volume 40British Academy - Humanities |
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Page 59
... Rome until 1755 , and that Vien did not return there until he became Director of the French Academy in 1775. Up to 1754 Vien's work shows no neo - classical tendencies , but in that year the Comte de Caylus ( who seems to have been ...
... Rome until 1755 , and that Vien did not return there until he became Director of the French Academy in 1775. Up to 1754 Vien's work shows no neo - classical tendencies , but in that year the Comte de Caylus ( who seems to have been ...
Page 60
... Rome during the crucial years of the germination of neo - classical painting . He was in Rome2 1741-4 , 1746-9 , and 1752-61 : after that he was in Spain as Court Painter until the end of 1769. Until Winckel- mann's arrival in Rome in ...
... Rome during the crucial years of the germination of neo - classical painting . He was in Rome2 1741-4 , 1746-9 , and 1752-61 : after that he was in Spain as Court Painter until the end of 1769. Until Winckel- mann's arrival in Rome in ...
Page 62
... Rome about 1755 and left in 1764 : in Rome it is likely that he was a pupil of Batoni , later to be at daggers drawn with Mengs , and we have the evidence from a story in Galt's Life of West ' that Dance had , early in his Roman period ...
... Rome about 1755 and left in 1764 : in Rome it is likely that he was a pupil of Batoni , later to be at daggers drawn with Mengs , and we have the evidence from a story in Galt's Life of West ' that Dance had , early in his Roman period ...
Contents
HONORARY FELLOWS 1954 | 15 |
vi | 39 |
THE BRITISH CONTRIBUTION TO THE NEOCLASSICAL STYLE IN PAINTING | 57 |
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